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She-Hulk #1 is a lighthearted story that follows Jennifer Walters as she begins a new chapter in her life, reconnecting with old friends and rivals.
Throughout her career as a superhero, Jennifer Walters has walked many paths. She has fought alongside the Avengers, been a member of the Fantastic Four, and partnered up with the Defenders. She’s accomplished all of this in the superhero world while working as an attorney specializing in superhuman laws. She-Hulk is one of the earliest comic characters to break the fourth wall back in 1989, paving the way for comic’s meta-commentary. Despite earning acclaim in her work, Walters’ personal life feels lacking. Marvel Comics revives She-Hulk’s solo series ahead of the upcoming She-Hulk Disney+ series debut and takes Jennifer Walters on a soul-searching journey as she balances work with relationships.
Written by Rainbow Rowell, with artwork from Roge Antonio and Rico Renzi, She-Hulk #1 paints an eventful day in the dull life of Jennifer Walters. The story opens with Walters contemplating her life while on the way to work. It is her first day at a new firm, and she is already running late. Suddenly, Titania appears and starts attacking in broad daylight. She is jealous of She-Hulk for getting all the press and glory in the world while she is left behind in the dust. Unbeknownst to Titania, Jennifer is going through a tough time, having no possessions or an apartment to her name. Jennifer feels for her rival, but that does not stop her from bringing out her inner She-Hulk.
Writer Rainbow Rowell is renowned for her relatable coming-of-age stories portraying the anguish and joy of young adults. But with She-Hulk #1, she takes on a more mature character, exploring the realities of adulthood in an increasingly monetary society. The story follows the protagonist closely as she traverses through a wild day. Like a game quest, Walters moves from checkpoint to checkpoint, meeting up with old contacts, either by chance or by design. Rowell familiarizes the readers with the current situation of the many outlier characters in the Marvel Comics universe. She-Hulk #1 is full of witty exchanges and honest, down-to-earth portrayals that shine a new light on the muscular protagonist’s civilian lifestyle.
Artist Roge Antonio, famous for his artworks in Batgirl and the Birds of Prey and Conan the Barbarian, taps into the lively, offbeat world of She-Hulk and transfers that same chaotic energy into the pages of She-Hulk #1. The illustrations have a quirky vibe while maintaining good anatomical postures and great urban architectural designs. The charisma of Antonio’s art lies across the faces of the characters. Everyone has a unique look and set of expressions that fill the story’s pages with warmth and energy. Colorist Rico Renzi effortlessly multiplies the positive energy emanating from the issue, using a cocktail of vivid colors across the panels. Renzi uses the Ben-Day dots to great effect, infusing colorful gradient effects with vibrancy.
She-Hulk #1 provides a rare insight into the busy civilian life of Jennifer Walters. Much of the positive tone of the issue exudes from its lead, but there is also a sense of anxiousness as Walters interacts with a new environment — a point well made by Rowell throughout the book. While the story does not have an antagonist yet, there is no sluggishness in the narrative’s pace. The story’s plot matches the speed of Jennifer’s hectic schedule. Whatever serenity Jen finds in this story quickly ends when a long-forgotten Marvel character crashes through her door, ending She-Hulk #1 on a shocking and rewarding cliffhanger.
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